Alexander the Great Posthumous Legacy

The Legendary Afterlife of Alexander the Great

Many are familair with Alexander’s historical exploits. Well, at least the basics. After unifying Greece under the power of Macedon, he defeated the declining Persian Empire and conquered lands to the East, marching to the ends of the known world as far as the Hindu Kush in northern Pakistan.

As a military tactician, Alexander inspired the likes of Julius Caesar, Hannibal Barca, and Napoleon Bonaparte. As an imperialist, he laid the groundwork for the Romans, who sought to replicate his feats while avoiding his failure to consolidate the empire he had gained. As a historical figure, he has become one of those characters that some admire, some revile, and, as we will learn later in this article, who many cultures claim.

While the historical Alexander is well-known, few are familiar with the Alexander of legend. This was less the great general and more the philosophical protégé of his tutor Aristotle. He dived to the depths of the ocean in a glass bell, searched for the elixir of life, and debated philosophy with naked ascetics. He was often regarded as a religious figure: a key character in many Jewish, Christian, and Islamic writings as a prophet, a sacred hero, and a messenger of God.

The legendary Alexander has had as much, if not more currency over the history of the last 2,000 years as the historical. And traces of him can be found in some unexpected places: from the Old Testament to the Qur’an to philosophical texts and adventure novels of the Middle Ages.

Alexander the Great in the Old Testament

Alexander’s occupation of the Levant was marked by brutal violence. The Macedonian king spent seven months between January and August 332 BC besieging the city of Tyre. After finally subjugating the city, he had around 3,000 of the city’s defenders crucified on its beach before moving onto Gaza.

When Gaza surrendered, he ordered for hooks to be dug into the ankles of the man who had commanded its defence. In imitation of Achilles’ mythological desecration of Hector’s corpse, Alexander then had the unfortunate commander tied to his chariot and dragged to his death.

After subduing Gaza, Alexander departed the region and moved on to Egypt. But in 331 the Samaritans rebelled, burning alive the Macedonian satrap he had installed in the province. Alexander swiftly returned to the Levant to take vengeance. He hunted down and executed the leaders of the revolt before trapping other participants in a cave in Wadi Daliya and suffocating them with smoke.

The horn, as depicted on this contemporary coin, stresses Alexander’s divine parentage as the son of the horned god Zeus Ammon. Photo from Quora
The horn, as depicted on this contemporary coin, stresses Alexander’s divine parentage as the son of the horned god Zeus Ammon. Image from Quora

Alexander’s barbarity left a lasting legacy, and so it is little surprise that he appears as a figure of wrath in some of the scriptural texts composed in the ancient Levant. Alexander the Great appears several times in the Old Testament. He first features in the First Book of Maccabees (1:1), which was written in about 103 BC. It describes how Alexander “captured fortified towns, slaughtered kings, traversed the earth to its remotest bounds, and plundered innumerable nations” before moralizing on how his “pride knew no limits.”

Alexander also appears, allegorically rather than by name, in the Book of Daniel (8.5-8, 21-22), a text written around 165 BC. The passage in question narrates the Greek conquest of Persia. It describes a “he-goat from the west” who appears in the area and, in a great rage, charges at a “two-horned ram”, knocking it to the ground and trampling it to death. That the he-goat represents Alexander is clear for two reasons.

Firstly, the Book of Daniel mentions a prominent horn between the he-goat’s eyes. Even during his lifetime, Alexander was often depicted with horns, owing to his claim that his father was not Philip but the horned god Zeus Ammon (a claim that must have raised eyebrows among many at the Macedonian court). Secondly, the prophecy ends with the goat becoming “very great” but his horn breaking off at the height of his powers: a metaphor for Alexander’s premature death in Babylon at the age of 33.

The “Alexander Romance”

Alexander the Great died in Babylon in 323 BC. His cause of death was (and remains) unknown, with theories ranging from poisoning, liver sclerosis, or a tropical disease such as typhoid or malaria. What is known is that his body had gone cold before stories started springing up around his life and legacy.

This was to be expected. Alexander had achieved the unimaginable in subduing the once great Persian Empire, traversing the limits of the known world, and spreading Hellenic (Greek) culture as far as the Hindu Kush in northern Pakistan—all before the age of 33.

Manuscript illumination from the medieval Alexander Romance
Manuscript illumination from the medieval Alexander Romance

Just as Alexander’s historical achievements captured the imagination of his successors, so too did the myths and legends surrounding him. These were collected in a work known as the Alexander Romance sometime around the third or second century BC. Countless versions were copied and recopied over the coming centuries, making the Alexander Romance the most widely-read work of antiquity after the Bible. It was translated into scores of languages: Greek, Latin, Hebrew, Armenian and Syriac, not to mention the European vernaculars of the Middle Ages, including French, German, English, and Spanish.

The Alexander of this story ascends to the heavens in a basket borne by eagles and descends to the depths of the ocean in a glass bell. He converses with talking trees, fights two-headed beasts, and debates with naked philosophers. In later, religiously-influenced translations, he even takes on the role of a sacred hero, converting to Judaism or Christianity and carrying out God’s will as a “defender of men” (appropriate, given that the name Alexander, or Ἀλέξανδρος in Greek means precisely that).

Alexander’s physical appearance in the Romance is also the stuff of fantasy. Far from the image of the handsome, wavy-haired king that’s come down to us from historical images (coins, statues etc.), the legendary Alexander resembles a sort of feline vampire. We are told he had:

“A leonine mane of hair, eyes of different colours, one white, one black. And he had sharp teeth like fangs, and the passionate nature of a wild lion.”

Alexander Romance, Book I, Chapter 13.

Naturally, I’ve run this description through AI to generate some images.

Yeah… Anyway. We don’t know who the author of the Alexander Romance was, but we can take a reasonable guess. The text identifies Alexander’s father not as Philip II of Macedon but as the last Egyptian pharaoh of the Thirteenth Dynasty Nectanebo II, who tricks Alexander’s mother, Olympias, into sleeping with him by magically assuming the form of the god Amun (a sure-fire trick for seduction in antiquity).

This patently false paternity story suggests the Romance may have been of Egyptian (Alexandrian) origin, intended to legitimise Alexander’s conquest of the region as the returning legitimate pharaoh rather than a foreign conqueror.

Alexander the Jewish Saviour

Despite Alexander’s many transgressions in the Middle East, a distinctly positive (and completely fictional) story emerged soon after his death which placed him at the heart of Jewish sacred history. Probably originating from the Jewish community of the Egyptian capital of Alexandria, the story first appears in the writings of the first century AD Jewish/Roman historian Josephus. It’s worth noting that there is no historical evidence Alexander ever went to Jerusalem.

But why let the truth get in the way of a good story.

Medieval rendering of Jaddus and the other priests coming out to meet Alexander.
Medieval rendering of Jaddus and the other priests coming out to meet Alexander.

Several versions of the story exist, spanning the first to the tenth centuries AD. But the main details are consistent. Jaddus, the High Priest of Jerusalem, has a dream in which God tells him a great conqueror is approaching the city. God instructs Jaddus to go out with the other priests from the Temple dressed in their finest robes and greet him on Mt. Scopus. As chance would have it, Alexander has also recently had a dream in which the same God told him to kneel before those he would meet in such robes.

This is exactly what Alexander does, and after prostrating himself before Jaddus and the other priests, he is allowed inside the Jewish Temple. There, Alexander is shown the Book of Daniel (written, in fact, long after Alexander’s lifetime), which prophecizes the Macedonian monarch’s conquest of Persia. Another Jewish story exists in which the Macedonian mediates a dispute over citizenship between the Jews and the Samaritans, eventually ruling in favour of the former. Historically there was a dispute about the status of their respective temples in Jerusalem and Mt. Gerizim, but it belongs to the second century BC—200 years after Alexander’s death.

Why the Jewish community in Alexandria would have invented this story is a mystery at first glance. But it starts to make sense when you think about their political situation. After emigrating from Palestine, the Jews set themselves up in Alexandria, but enjoyed few rights among the community. In an appeal to the rulers of Egypt—the Ptolemies, descendants of Alexander’s bodyguard, Ptolemy—they therefore created a story linking them to the city’s founder, Alexander, and lending considerably more legitimizing credibility to their cause.

Alexander in the Qur’an

It is well known that early Islam incorporated many figures from the Judeo-Christian tradition into its scripture. The most famous example is Jesus Christ, who appears in the Qur’an not as the Son of God but as the penultimate prophet, sent by Allah as the precursor to Muhammad. What’s less well known is the fact that one of the ancient world’s most famous pagans, Alexander the Great, also features in the Qur’an.

It’s not under his own name however, but under that of Dhul-qarnayn.

Dhu al-Qarnayn building a wall with the help of Jinn to keep away Gog and Magog.
Building a wall to keep away Gog and Magog is a story associated as much with the legendary Alexander as it is with the Islamic Dhul-qarnayn. Persian miniature from a book of Falnama copied for the Safavid Shah Tahmasp I (r. 1524–1576), currently preserved in the Chester Beatty Library, Dublin

Dhul-qarnayn means “the two-horned one” in Arabic, and we should remember that the historical Alexander depicted himself with horns to stress his paternity from the horned god Zeus Ammon. Dhul-qarnayn’s first appears in the Qur’an in Sura 18 (94-98). The passage speaks about Dhul-qarnayn’s enclosure of Gog and Magog—the Unclean Nations—behind a manmade wall.

Throughout history, Gog and Magog have essentially represented whoever happened to be the enemy at the gates at the time: so for Christians, they represented Muslims; for Muslims, they represented Christians and so on. They first appeared in the books of Genesis, Ezekiel and Revelation in the Old Testament locked away behind a wall, to be defeated by the Messiah, thus ushering in the Apocalypse. Over time, stories and literary traditions became confused over who they were and who built the wall. So much so that by the fourth century AD the person responsible for building a wall to shut them away had come to be identified as Alexander.

Bearing in mind the Qur’an was composed another 400 years after Alexander made his way into the story of Gog and Magog, it makes sense that Alexander (or rather “Dhul-qarnayn”) should have been the one to build the wall. But this isn’t where his story ends. There was also an Islamic tradition around Alexander as a wise man, a philosopher, and a lover of music. This was mainly inspired by Alexander’s (very real) historical relationship with Aristotle, his tutor, as the famous Islamic scholar, Ibn Khaldun (1333 – 1378), pointed out.

He tells us that when the Muslims conquered Persia, they destroyed many Persian texts. Later finding they needed the wisdom contained within these lost texts, the Umayyad rulers were forced to turn to Greek texts. Aristotle was one of the great figureheads of Greek intellect, as by this stage was Alexander by association. And this explains why Alexander was so easily adapted into Islamic legend as a wise, pious, and religiously converted philosopher king.

The Prince of Persia

It might come as a surprise that, despite conquering their nation, Alexander was as important a figure in Persia as he was in the West. But to circumvent the potential embarrassment of having been conquered by a foreign king, the Persians fabricated Alexander’s ancestry to make him a legitimate Persian ruler: not the son of the Macedonian king Philip II but a royal descendant of the Persian Achaemenids.

Alexander (Iskandar) as he appears in Firdawsî’s “Shahnameh”.
Alexander (Iskandar) as he appears in Firdawsî’s “Shahnameh”. Payvand News

Alexander appears in many works of Persian literature. But his most important appearance came in Firdawsî’s eleventh-century “Shahnameh” or “Book of Kings”—the world’s longest epic poem composed by a single author. According to Firdawsî, Alexander—or Iskandar as he’s called in classical Persian—was the progeny of the Persian king Darius II and the daughter of Philip of Macedon. Marital issues mean Philip’s daughter is forced to flee to Rome where she gives birth to Alexander. Thus when he ultimately returns to Persia as a conqueror, he’s not the conqueror but the legitimate ruler.

Having established himself on the Persian throne, Alexander sets off on his adventures. His adventures aren’t just about military conquest, however, as they were in the historical record. Instead, they are quests for wisdom and knowledge. He battles his enemies, dispenses justice, and adopts local customs and cultures. He also memorably meets a group of naked philosophers (more on whom later) and discusses with them the brevity of life and the ultimate futility of power.

Approaching the end of the known world—in a story that by now should be becoming familiar—he encounters a terrorized population living at the foot of the mountainous nation of Gog and Magog. They are constantly being attacked by these terrifying marauders, who have the faces of camels, black tongues, and red eyes. So Alexander agrees to help. He assembles blacksmiths and masons and has them construct a giant wall to hold Gog and Magog at bay from civilization.

Finally, Alexander comes across a talking tree with two heads; one male that speaks during the day of terrifying things, and one female that speaks sweetly at night. Both prophesy that Alexander will soon die, “in a strange land, with strangers standing by”. Though obviously legend, this ties in with history.

And Alexander does soon die, in Babylon, ending this section of Firdawsî’s epic.

Alexander and the Cynic Diogenes

The meeting of the regal Alexander and the Cynic philosopher Diogenes is one of the most popular stories in philosophical history. Versions of the event span antiquity all the way through the Middle Ages and Early Modern period, told by writers from Plutarch to Shakespeare.

The amount of attention given to the meeting is even more staggering when you consider that it never actually happened.

Medieval illustration of Alexander meeting the cynic philosopher Diogenes
Medieval illustration of Alexander meeting the cynic philosopher Diogenes

Diogenes was one of the ancient world’s most controversial figures. A strict adherent to the philosophical school of Cynicism (cynic, in Ancient Greek, means “dog-like”), he embraced a life of total self-sufficiency. This involved the rejection of societal values and aspirations—which the Cynics believed ran in opposition to nature—in favour of a life revolving around doing exactly what you want—which they believed ran in accordance with nature.

Diogenes took this to extremes. He flouted almost every social convention there was: masturbating in the forum, urinating on those who taunted him and living in a giant barrel just being a few. This earned him the nickname “Diogenes the dog”; a particularly appropriate given one famous legend.

At one stage the only thing Diogenes owned was a begging bowl, which he used to collect up water. One particularly hot day he was passing by a stream and saw a dog lapping up water with its tongue. Immediately realizing his one earthly possession was superfluous, Diogenes threw his vessel away and joined in with his canine companion.

As mentioned, many versions of the meeting between Alexander and Diogenes exist. However, they’re all more or less based on an original anecdote which goes like this. One day Alexander was passing through Diogenes’s city (which city differs according to different versions). He was struck by the fact that although the whole city had flocked to see him, its famous resident philosopher was not in the least bit bothered. So Alexander resolved to go to him. Arriving at Diogenes’s giant barrel, Alexander asked the philosopher if he would like anything from him.

Diogenes replied that he’d like Alexander to stand aside as he was blocking his sun.

While Alexander’s companions fell about laughing, the king himself was in awe of this man who cared nothing for regal power and had no issues speaking out of line with a king. Alexander was reported to have said “But truly, If I were not Alexander, I would be Diogenes”, longing for the carefree existence of the Cynic philosopher.

Alexander in the Middle Ages

We’ve seen how Alexander took on many different roles in the millennia or so following his death. From a Jewish convert to an Islamic prophet; a philosopher king to a protector of men against enemies of the Apocalypse. The number of Alexander legends in existence made it easy for different groups to incorporate him into their mythologies (or just invent myths around him), whatever their culture, beliefs, or agenda.

So it should come as little surprise then that during the Middle Ages, the ancient Macedonian came to be reinvented as a chivalric knight, a pious holy man, and a brave Christian king.

The “Diving Bell” story: popular in medieval French versions of the Alexander Romance.
The “Diving Bell” story: popular in medieval French versions of the Alexander Romance.

While versions of the Alexander Romance existed all across Europe, translated into almost every language, there was no consistency. In Medieval France—the cradle of chivalry—Alexander might have enjoyed an unblemished reputation as a perfect knight, but among German literary circles he had a much more sinister reputation. Many German theologians equated Alexander with the devil or the antichrist while in Italy, puritanical writers such as Petrarch rallied against him for his immoderacy and excessive drinking.

Part of the reason for Alexander’s negative characterisations was due to his ambivalent role in the Bible—mainly how appeared alongside the much-hated Antiochus Epiphanes in the Book of Maccabees (I). Another reason was that different countries had access to different literature; German writers had access to different texts to their French or Spanish counterparts, for example, with German authors relying on a fifth-century Christian called Orosius. Far from the knight in shining armour of the French tradition, in Orosius’s “History against the Pagans”, Alexander is described as a “bloodthirsty tyrant”.

From the late twelfth century onwards, interest in the fantastical stories of Alexander’s life started to wane in favour of more historical accounts. This was mostly due to renewed interest in classical literature across medieval Europe, with scholars and literates understandably placing more value in the historical/biographical accounts of Plutarch, Arrian, and Curtius Rufus, rather than in stories about Alexander meeting naked philosophers and talking trees.

This isn’t to say the Romances died out completely. The early fifteenth century saw the appearance of a Scottish version, “the Buik of Alexander”, while in Eastern European countries new stories appeared in Slavonic and non-Slavonic languages for hundreds of years. In fact, a Bulgarian version of the Alexander Romance appeared as late as 1810, in which Alexander appears as a messenger sent by god to punish those who stray from the righteous path.

Alexander and the Naked Philosophers

The Brahmans are a group of naked ascetics who have closed themselves off from society to live lives of natural—and presumably rather cold—contemplation. Historically, the Greek historian Strabo situated them around the city of Taxila in modern-day Pakistan. Over time their exact geographical location came to matter less and less, however, as the land (or, according to some authors, island) of the Brahmans came to be transformed into a utopian ideal.

Alexander meeting Dindimus, king of the Brahmans. Boldleian Libraries, Oxford.
Alexander meeting Dindimus, king of the Brahmans, and his fellow ascetics (who seem to be dressed in camo). Boldleian Libraries, Oxford.

The story of Alexander’s encounter with them first appears around the third century BC and was continuously retold up until the fourteenth century, finally appearing in what must be the most bizarre piece of travel literature in history: “The Travels of Sir John Mandeville”. As with pretty much all legends that surround Alexander, each story has several versions. The general narrative goes like this:

Alexander arrives in the land of the Brahmans with his helmsman and historian Onesicratus. There they meet with the leader of the Brahmans, Dandamis, who Alexander proceeds to interrogate. He presents Dandamis with a “Halsrätsel”; a form of questioning familiar to anyone who’s seen Monty Python and the Holy Grail and that final scene on the bridge: If Dandamis gets the answer right, he will live. Should he get it wrong, Alexander will kill him.

Ultimately, Alexander learns a great deal philosophically from the Brahmans. They drive home a message found elsewhere in Alexander’s legends: that no matter what his achievements or how much his power, he will ultimately die. How they couch their phrasing, however, is uniquely powerful. Upon seeing Alexander approach the Brahmans begin to stamp their feet. Asking what they mean by this, they tell the king that every man possesses only as much land as he is standing on. Alexander may spend his life travelling and conquering foreign lands, but he too is just a man. And when he is dead, he will need only as much earth as is required to bury him.

This message was in part influenced by the political aftermath of Alexander’s death: the fragmentation of his barely consolidated empire and centuries of civil war fought among his successors. However, it was also injected over the years with Jewish, Christian, and Islamic ideas relating to humility and submission to the one, true God. No one man is all-powerful, no matter his achievements, and like all historical kings, Alexander would do well to learn that.

Alexander’s Faithful Steed

The close bond Alexander had with his horse Bucephalus is both mythically and historically well documented. Alexander came across him at the age of 12 or 13 while the horse was being presented to King Philip by the horse trader Philonicus. Alexander made a wager: if he couldn’t bring it under his control, he’d pay the money owed to the horse trader on his father’s behalf. If he could, he got to keep the horse. With some horse-whispering and amateur animal psychology (making sure Bucephalus could no longer see his own shadow, the source of his anxiety), Alexander managed to tame him.

Macedonian Koinon showing a long-haired, diademed Alexander on the obverse and his taming of Bucephalus on the reverse.
Macedonian Koinon showing a long-haired, diademed Alexander on the obverse and his taming of Bucephalus on the reverse.

Naturally, the fictional Alexander Romance took a slightly different view over Bucephalus’s origins.

Rather than sold to the king by a horse trader, legend had it that Bucephalus was bred and reared on Philips royal estate. What’s more, the Greek Delphic Oracle had prophesied to Philip that whoever rode Bucephalus would go on to become the king the world was promised. But it wasn’t just Bucephalus’s origins that the Alexander Romance changed.

The historical horse accompanied Alexander across the known world and beyond, serving as his charger in battles ranging from Persia to Pakistan. When Bucephalus eventually died from wounds sustained at the Battle of Hydaspes (326 BC) in modern-day Pakistan, Alexander was devastated. Such was his grief, in fact, that he immediately founded the city of Bucephela at the site of his death, named in his horse’s honour. The legendary horse, while also accompanying Alexander on all his many adventures, met a slightly different end.

Towards the end of the Alexander Romance, the great king is lying in his bed in Babylon, dying from a poison administered by one of his slaves. Everyone around him is howling with grief while Bucephalus is standing at the foot of Alexander’s bed looking longingly at his master. At this point, the slave enters the room and Bucephalus—somehow blessed with the knowledge of his guilt—charges towards him.

Grabbing him in his teeth, he drags the slave to Alexander. He then he lets out loud whinny, throws the slave to the ground and tears his body apart, so that “bits of him flew all over everyone like snow falling off a roof in the wind.” Bucephalus then lets out one final neigh before collapsing at Alexander’s feet and breathing his last. Through the horrific carnage, Alexander gently smiles at his recently deceased steed before following suit and falling into his eternal sleep.

Alexander Meddings
Alexander Meddings

Alexander Meddings is a professional writer and content consultant. After graduating in ancient history from the universities of Exeter and Oxford, he moved to Italy to pursue his passion at the source. He now lives in Rome, where he works as a writer and guide.

Articles: 78

Leave a Reply

Your email address will not be published. Required fields are marked *